This review, originally posted in Critics at Large is reproduced here because the novel assessed is about crossing boundaries from a war zone to the West but without the moral connotations that this site usually focuses upon.
|Author Mohsin Hamid. (Photo: Ed Kashi)|
Mohsin Hamid's most recent and timely novel Exit West (Riverdale Books, 2017) is set in a nameless, besieged country likely in the Middle East where Saeed and Nadia, the book’s protagonists ( and the only two characters named), meet in an evening class and embark on a courtship. Initially, they reside in "a city swollen by refugees but still mostly at peace, or at least not yet openly at war." That is soon to change as their tentative, gentle relationship contrasts with their country teetering on the lip of a precipice as it disintegrates into war.
In the first half of this remarkable novel, Hamid charts their growing relationship amid the backdrop of a city spiralling out of control, requiring the young lovers to leave. Although the graphic details he provides feel authentic, Exit West is not a "realistic" novel à la Jenny Erpenbeck's Go, Went, Gone. There is an abstract quality about the vagueness of its setting, its characters, and its narrative that Hamid renders in exquisite prose with occasionally longish, orotund sentences. He is primarily focused on highlighting the universality of societies at war with themselves and how civilians respond to the chaos closing in on them.