This review, originally posted in Critics at Large, is reproduced on this site because the novel explores whether or not women, now endowed with special powers, do sometimes cross a line.
The 2017 publication of Women & Power: A Manifesto by the eminent classical scholar, Mary Beard offers a witty and caustic literary and historical overview of how women have been ridiculed, demeaned and silenced. She begins with the moment that Telemachus in The Odyssey told his mother Penelope to "shut up," go to her room and resume her own work leaving public speech to men. Eventually, Beard spotlights the moment over two millennium later when Senator Elizabeth Warren was silenced for quoting from a letter by Coretta Scott King (the widow of Martin Luther King), while others, like Bernie Sanders, were not. Beard is a particularly apt scholar to pen this manifesto considering the inflammatory vitriol that has been hurled at her for her publicly speaking about controversial issues. Beard's manifesto could be read in conjunction with Naomi Alderman's speculative-fiction novel, The Power (Little, Brown and Company, 2017) since she speculates what would happen if men were removed from their perches of power, demeaned, violated and silenced?
The Power is couched as "A historical novel" written by Neil Adam Armon. It is framed by an exchange of letters thousands of years into the future between Neil, who pleads for patronage from an address at "The Men Writers Association" and a woman called Naomi. He explains to her that he has written a novelized history after his academic studies have been ignored. Naomi’s responses, especially in the backend, are flecked with ridicule, charged with sexual innuendos, and downright condescending. Even before we read the novel within the novel, this literary conceit signals that we are entering into a vastly changed reality: the traditional schematics of sex and power are reversed with women exercising the real power while men are the disrespected other.