The following television review originally appeared in Critics at Large and is reproduced on this site because some of the material does explore the consequences of crossing the line both in historical and aesthetic terms.
|Claire Foy as Queen Elizabeth II with Matt Smith as Prince Philip in The Crown.|
The elements of good drama based on real people – believable three-dimensional characters, conflict, and an engrossing plot – often do not make good history. Historians and biographers must sift through documents and interviews with people who knew the subjects and fashion a portrait that adheres to the record. They may speculate, but speculations must be grounded in an evidentiary base. Screenwriters and directors have more creative freedom to imagine what might have been, to reassemble chronology, and to create dialogue and motives for their characters as long as they are plausible. Based on my viewing of two seasons of The Crown (on Netflix) that covers the 1950s and early 1960s, I would argue that a smooth synthesis of history and drama has been achieved.