This review, originally published in Critics at Large, is reproduced on this site because Kerr's novels on the Third Reich reinforce the themes I discussed in That Line of Darkness: The Gothic from Lenin to bin Laden, (Encompass Editions, 2013.)
|Novelist Philip Kerr. (Photo: Alberto Estevez)|
A new release of a Philip Kerr novel is always a welcome addition to an oeuvre of more than thirty books, including his highly-received Bernie Gunther novels. From the 1989 publication of March Violets to Prussian Blue (Marian Wood Books/Bantam, 2017), Kerr has now churned out twelve novels about the acerbic-tongued German detective who has led a checkered life from the trenches of World War One, then as a homicide Berlin cop working for Kripo (the criminal division of the German police), as a private detective, a reluctant member of the SS during World War II, a Soviet POW, to being a fugitive living under aliases in places such as Argentina and France. Throughout, Kerr’s historical research is impeccable enabling him to convey vividly the atmospherics of the times and delineate adroitly the historical actors. Because his focus is on character and hard-boiled Chandlerian dialogue – the cynical wise-cracking Gunther rarely abstains from verbal jousts with often powerful personalities – Kerr astutely avoids providing unnecessary expository information unless it is revealed through the characters and is vital to our understanding of the period.