Thursday, 9 November 2017

Ryerson Life Institute Week Seven: Racism in America

“We just need to open our eyes, and our ears, and our hearts to know that this nation’s racial history still casts its long shadow upon us.”
—Barack Obama speaking in Selma on March, 7th 2015 at the fifth anniversary of the famous march

Now that Chris and his girlfriend, Rose, have reached the meet-the-parents milestone of dating, she invites him for a weekend getaway upstate with Missy and Dean. At first, Chris reads the family's overly accommodating behavior as nervous attempts to deal with their daughter's interracial relationship, but as the weekend progresses, a series of increasingly disturbing discoveries lead him to a truth that he could have never imagined. 
See my review for Get Out
See White Rage Part Two  By Carol Anderson
White Rage Part One


 
In 1932 Macon County, Alabama, the federal government launched into a medical study called The Tuskegee Study of Untreated Blacks with Syphilis. The study selected 412 men infected with the disease and faked long term treatment, while really only giving them placebos and liniments. The premise of the action was to determine if blacks reacted similar to whites to the overall effects of the disease. The experiment was only discontinued 40 years later when a Senate investigation was initiated. At that time, only 127 of the original study group were left alive. The story is told from the point of view of Nurse Eunice Evers, who was well aware of the lack of treatment being offered, but felt her role was to console the involved men, many of whom were her direct friends. In fact, the movie's name comes from the fact that a performing dancer and three musicians named their act for her - "Miss Evers' Boys". All had the disease. A romance with one goes unrequited even after he joins the Army.

James Baldwin

In 1979, James Baldwin wrote a letter to his literary agent describing his next project, Remember This House. The book was to be a revolutionary, personal account of the lives and successive assassinations of three of his close friends-Medgar Evers, Malcolm X and Martin Luther King, Jr. At the time of Baldwin's death in 1987, he left behind only thirty completed pages of his manuscript. Now, in his incendiary new documentary, master filmmaker Raoul Peck envisions the book James Baldwin never finished. The result is a radical, up-to-the-minute examination of race in America, using Baldwin's original words and flood of rich archival material. I Am Not Your Negro is a journey into black history that connects the past of the Civil Rights movement to the present of #BlackLivesMatter. It is a film that questions black representation in Hollywood and beyond. And, ultimately, by confronting the deeper connections between the lives and assassination of these three leaders, Baldwin and Peck have produced a work that challenges the very definition of what America stands for.

Ta-Nehisi Coates
“Trump truly is something new – the first president whose entire political existence  hinges on the fact of a black president. And so it will not suffice to say that Trump is a white man like all the others who rose to become President. He must be called by his correct name and rightly honorific – America’s first white president.”


 “Every Trump voter is most certainly not a white supremacist,” But every Trump voter felt it acceptable to hand the fate of the country over to one.”  


Ta–Nehisi  Coates, We Were Eight Years in Power: An American Tragedy, 2017  For a powerful review in The New York Times of We Were Eight Years in Power by Ta-Nehisi Coates 







Ruth Negga and Joel Edgerton from Loving
The interracial couple Richard and Mildred Loving fell in love and were married in 1958. They grew up in Central Point, a small town in Virginia that was more integrated than surrounding areas in the American South. Yet it was the state of Virginia, where they were making their home and starting a family, that first jailed and then banished them. Richard and Mildred relocated with their children to the inner city of Washington, D.C., but the family ultimately tries to find a way back to Virginia.

Against a backdrop of sex, politics and race, Academy Award winning filmmaker Freida
Mock's Anita reveals the intimate story of Anita Hill, a woman who dared to speak the truth. This powerful documentary traces Ms. Hill's life from her early years through her legacy today, offering fascinating insight into her experiences testifying before the Senate just over 22 years ago in the weekend of shocking television that made her a household name and smashed the door open on the issues of sexual harassment and gender equality.
Anita Hill

The New Yorker asked Anita Hill what has changed since she contended in 1991 that Clarence Thomas was not fit be a Supreme Court judge because he sexually harassed her.


Read a shocking article in The New Yorker   about how Harvey Weinstein  used private security agencies to discredit the women who accused him of sexual improprieties and to ensure their stories never became public. Individuals posing as journalists or human rights activists for women sought to gather information on these women that could be used against them.


Hadiya Roderique
"Nowadays in Canada, overt acts of racism are rare. Instead, the subtle ones tire you out and wear your sense of belonging. They happen more often, more insidiously. These acts of discrimination can be more detrimental than blatant racism or sexism. It's easier to point out prejudice when someone is overtly racist. Organizations have policies and procedures for reporting explicit racism and sexism. Others, hearing your story, are suitably outraged. But the underground cracks, passive-aggressive dismissals, the ghostly put downs, are harder to mark."

From a  powerful article in The Globe and Mail

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