―Denis Diderot, eighteenth-century philosopher
Manuel Malle traces the horror of his father's (Louis) film, Lacombe, Lucian to "the sobering realization that anyone is capable of the atrocities 17 year old Lucien Lacombe indirectly perpetrates."
“Everything we did was equivocal. We never quite knew whether we were doing right or wrong. A subtle poison corrupted even our best actions.”
—Jean-Paul Sartre on the French during the Occupation
As an ideology, Nazism is known for its racism, militarism and expansive nationalism, an ideology that was shared, apart from the virulent racism, with Fascist Italy and Spain. What I hope to explore is also the fascist state of mind: the misogyny, the exaltation of power, the willingness, for a variety of reasons, to be co-opted by the practitioners of the ideology even if one does not embrace it, and the intolerance for anyone who is different, and the disregard for the dignity of the individual.
For my review of the recent production of Cabaret and the Degenerate Art Exhibition in New York see http://www.thatlineofdarkness.com/2014/03/cabaret-crooked-frame-in-attack-on.html
|Michelle Williams in the 2014 production of Cabaret
|Max Beckmann's religious and political triptych, Departure and Adolf Ziegler's Four Elements
Clips from Lacombe, Lucien and Pan's Labyrinth will be shown in the class.
|A scene from Lacombe Lucien
One of Louis Malle's most personal films, Au Revoir Les Enfants (1987), draws on the memories of his childhood during WWII. Set in 1944, during the German Occupation of France, the tale centers on Julien, a privileged precocious teenager. Sent away to a provincial Catholic boarding school, he excels—until the arrival of Bonnet, a cultured boy who's mysterious about his background. At first Julian hopes to expose and humiliate his rival, but their common interests lead to an uneasy friendship. The film is about the courage of the teachers as they defy the anti-Semitic policies of the German forces, and quietly enroll Jewish children in their school using assumed names, and how one day can remain etched in a child’s memory for the rest of his life. The film quietly reveals a ray of humanity amid the surrounding evil.
The Undertaking by Audrey Magee is her debut novel and starts with the intriguing premise: Peter Faber on the Eastern Front marries by proxy Katharina Spinell who is a thousand miles away in Berlin, he because he wants a ten-day leave, she because if he dies will have a pension. But they become attracted to each other and we follow their lives in Berlin and Stalingrad in alternating chapters in this dialogue-driven novel. Well worth reading.
Mexican filmmaker Guillermo del Toro returns to the phantasmagorical cinema with Pan's Labyrinth (2006), a haunting fantasy-drama set in the aftermath of the Spanish Civil War and detailing the strange journeys of an imaginative young girl who may be the mythical princess of an underground kingdom. Her mother, Carmen recently remarried to sadistic army captain Vidal and soon to bear the cruel military man's child, shy young Ofelia is forced to entertain herself as her recently-formed family settles into their new home nestled deep in the Spanish countryside. As Ofelia's bed-ridden mother lies immobilized in anticipation of her forthcoming child and her high-ranking stepfather remains determined to fulfill the orders of General Francisco Franco to crush a nearby guerrilla uprising, the young girl soon ventures into an elaborate stone labyrinth presided over by the mythical faun Pan. Convinced by Pan that she is the lost princess of legend and that in order to return to her underground home she must complete a trio of life-threatening tasks, Ofelia sets out to reclaim her kingdom and return to her father as Vidal's housekeeper Mercedes and doctor plot secretly on the surface to keep the revolution alive. review of Spanish holocaust
Europa Europa (1990) is based on the true story of a young German Jew who survived the Holocaust by falling in with the Nazis. Solomon Perel is the son of a Jewish shoe salesman coming of age in Germany during the rise of Adolf Hitler. In 1938, a group of Nazis attack Solomon's family home; his sister is killed, and 13-year-old Solomon flees to Poland. Solomon winds up in an orphanage operated by Stalinist forces; when German forces storm Poland, Solomon's fluent German allows him to join the Nazis as a translator, posing as Josef Peters, an ethnic German. In time, "Peters" is made a member of the elite Hitler Youth, but since Solomon is circumcised, he can be easily revealed as a Jew, and he lives in constant fear that his secret will be discovered. Solomon's close calls include an attempted seduction by Robert Kellerman, a homosexual officer, and his relationship with Leni, a beautiful but violently anti-Semitic woman, who wants to bear his child for the glory of the master race.
|a dream sequence in Europa Europa
In Downfall (2004), the last ten days of Adolf Hitler and his Nazi regime are seen through the eyes of a young woman in his employ in this historical drama from Germany. Traudl Junge was twenty-two years old when, in the fall of 1942, she was hired to be personal secretary to Adolf Hitler (played by a riveting Bruno Ganz). In April of 1945, Junge was still working for Hitler as forces were bearing down on Germany and the leader retreated to a secret bunker in Berlin for what would prove to be the last ten days of his life, as well as that of the Third Reich. As Hitler's mistress Eva Braun attempts to throw a cheerful birthday party for her man, Hitler's closest associates, including Heinrich Himmler, Joseph Goebbels and Albert Speer urge him to flee the city with only Goebbels maintaining any illusions that the Third Reich has any hope of survival. Hitler refuses to leave Berlin, and he spends his final days ranting and raving to Junge, blaming all around him as he tries to understand where his leadership went wrong. Meanwhile, Goebbels and his wife round up their six children and bring them to the bunker as Berlin begins to topple, determined to take their lives rather than face the Allies after Germany's certain defeat. The Downfall was based in part on the memoirs of the real-life Traudl Junge, whose experiences also formed the basis of the 2002 documentary Blind Spot: Hitler's Secretary.
New York Times review of Wagner and Me
For my review of this compelling and nuanced documentary